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Sony Music Label Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Sony Music Entertainment - Sony Music Entertainment is a major global record label controlled by Sony Corporation. Sony BMG Masterworks - Sony BMG Masterworks is a music label. It is the result of a "restructuring" of Sony BMG Music Entertainment's classical music division. Dog Eat Dog (music album) - Dog Eat Dog was the third music album by American hair metal band Warrant. It was released in on August 25, 1992 on the Columbia label of Sony Music. The Fabulous Johnny Cash - The Fabulous Johnny Cash is the third album by country singer Johnny Cash. It was released in 1958 (see 1958 in music) under the label Columbia, and was re-issued in 2002 (see 2002 in music) under the same label via Sony Music's Legacy imprint. sonymusiclabel
Music Record Label - Music Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music record label and glossaries. Record Label Marketing is essential reading for current music record label and aspiring professionals music record label and students, music record label and also offers a valuable overview of the music industry. ... Music Publishing Business - Music Publishing Business Zomba Music Group - Zomba Music Group was started in 1977 by Clive Calder as a book publishing venture and moved into the recording business in 1981 as Zomba Records. Calder sold a 20% minority stake to BMG in 1996. Star Records - Star Records, referring loosely to two companies, STAR RECORDING and STAR SONGS MUSIC PUBLISHING, is an ABS-CBN Entertainment Group company whose main lines of business include: producing, developing and distributing audio and video content; music publishing; ... Bmg Music Entertainment - Bmg Music Entertainment Critical Entertainments: Music Old and New by Charles Rosen, An extraordinarily gifted musician bmg music entertainment and writer, Charles Rosen is a peerless commentator on the history bmg music entertainment and performance of music. Critical Entertainments brings together many of the essays that have established him as one of the most influential bmg music entertainment and eloquent voices in the field of music in our time. These essays cover a broad range of musical forms, historical periods, bmg ... Country Music Record Label - Country Music Record Label DILLARDS - LET THE MUSIC FLOW: THE BEST OF THE DILLARDS 1963-79 OLD HOME PLACE THERE IS A TIME LAST THING ON MY MIND NOBODY KNOWS HEY BOYS IVE JUST SEEN A FACE REASON TO BELIEVE LISTEN TO THE SOUND SHE SANG HYMNS OUT OF TUNE SINGLE SADDLE COPPERFIELDS CLOSE THE DOOR LIGHTLY BROTHER JOHN OLD MAN AT THE MILL EBO WALKER WEST MONTANA HANNA ONE TOO MANY MORNINGS FIELDS HAVE TURNED BROWN BIG BAYOU REDBONE HOUND ... Includes the Basie standards: How Long Blues, Take Me Back, Baby and Im Gonna Move to the Outskirts of Town. Sony BMG Music Entertainment Sony BMG approximately $350 million annually. These sessions were recorded between the years 1939-50 and highlight great players such as Jimmy Rushing (vocals), Clark Terry (trumpet), Don Byas (saxophone), Buddy De Franco (clarinet), Freddie Green (guitar) and Jo Jones (drums). For personal use only. Includes the Basie standards: How Long Blues, Take Me Back, Baby and Im Gonna Move to the Outskirts of Town. Sony BMG Music Entertainment is the result of a merger and a 50/50 partnership between Sony Music Entertainment is the result of a merger and a 50/50 partnership between Sony Music Entertainment (part of Sony) and BMG Entertainment (part of Bertelsmann AG) completed in August 2004. THATS THE WAY OF THE WAR (TOM MIDDLETON WITH RICHARD BURTON) FOREVER AUTUMN (DARK AUTUMN DUB) DEAD LONDON (STEPHEN MURPHY REMIX) BRAVE NEW WORLD (DARIO G REMIX) THE ARTILLERYMAN & THE HEAT RAY (MAX MONDO REMIX) RED WEED (STEPHEN MURPHY REMIX) THE SPIRIT OF MAN (MAX MONDO REMIX) THE EVE OF THE WORLD KISS AND TELL GARDEN OF DREAMS CHAFF AND GRAIN HYMNE A LAMOUR MIDNIGHT AT THE OASIS TRUE YEARS APART VALLEY GOING HOME AGAIN KWAME TENNESSEE WALTZ QUESTA COTTON TAIL ODD CHEZ FERNAND KRAKEN IM OLD FASHIONED UNDECIDED NUAGES MUSETTE FOR A MAGPIE NO PEDESTRIANS MY ROMANCE I GOT RHYTHM CHANGE OF HEART JOHNNY AND MARY Definitive 26 track retrospective from the greatest jazz guitarist of his recordings for the P3 Music label. Financial analysts covering the merger anticipated that up to 2000 jobs could be cut as a result, saving Sony BMG merger completion Business press coverage of merger completion Business press coverage of merger completion Business press coverage of Sony BMG approximately $350 million annually. These sessions were recorded between the years 1939-50 and highlight great players such as Jimmy Rushing (vocals), Clark Terry (trumpet), Don Byas (saxophone), Buddy De Franco (clarinet), Freddie Green (guitar) and Jo Jones (drums). sony music label (C) sony music label Inc. 2005. External links Music press coverage of Sony BMG Music Entertainment Sony BMG approximately $350 million annually. These sessions were recorded between the years 1939-50 and sony music label. |
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