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Music Recording Label Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Trout Music - Trout Music is the independant recording label of the band Trout Fishing in America made up of bassist Keith Grimwood and guitarist Ezra Idlet. The band, best know for its childrens' music, has released twelve albums on the label from 1990 to 2004. Look's Music International - Look's Music International is an independant record label based in Boise, Idaho which is owned and operated by musician and composer Pete Holly. It also runs Lofty Hieghts Recording Studio and Look's Music Publishing, B. Remixes: Music for Freelance - Music for Freelance is a collection of songs by The Seatbelts, remixed by popular American and British DJ's, including many from the popular Ninja Tune label. The premise of the album is that the CD is a recording of a pirate radio station, and each song is humorously introduced by the DJ, in English. Willie Mitchell (music) - Willie Mitchell is a soul, R&B, rock and roll, pop and funk music producer and arranger who runs Royal Recording in Memphis, Tennessee. He is best known for his Hi Records label of the 1970s, which released albums by a large stable of popular Memphis soul artists, including Mitchell himself, Al Green and Ann Peebles. musicrecordinglabel
Music Record Label - Music Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music record label and glossaries. Record Label Marketing is essential reading for current music record label and aspiring professionals music record label and students, music record label and also offers a valuable overview of the music industry. ... Arts Music Record Label A - Arts Music Record Label A Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, arts music record label a and glossaries. Record Label Marketing is essential reading for current arts music record label a and aspiring professionals arts music record label a and students, arts music record label a ... Christian Music Record Label - Christian Music Record Label COX, CARL - PURE INTEC [IMPORT] TROISIEME HOUSE OF SOUL (DJQ REMIX) DECIPHER LANGUAGE LOVE IZ JUMPER VISIONS OF YOU (2004 REMIX) DEFINITION OF LOVE DEAD MAN TALKING ARRIVE SUNSHINE (CARL COX REMIX) DONT LEAVE THE DRUMS SPIRITUAL MAN PART 01 MISS SUAVE FREAK! BODYSHAKER LQ PONTAPE (TREVOR ROCKCLIFFE MENTOR REMIX) WAIT MAJOR IMPROVEMENTS SPIRITUAL MAN PART 02 Carl Cox needs little introduction, the man has been at the forefront of the global dance scene for over twenty ... Country Music Record Label - Country Music Record Label DILLARDS - LET THE MUSIC FLOW: THE BEST OF THE DILLARDS 1963-79 OLD HOME PLACE THERE IS A TIME LAST THING ON MY MIND NOBODY KNOWS HEY BOYS IVE JUST SEEN A FACE REASON TO BELIEVE LISTEN TO THE SOUND SHE SANG HYMNS OUT OF TUNE SINGLE SADDLE COPPERFIELDS CLOSE THE DOOR LIGHTLY BROTHER JOHN OLD MAN AT THE MILL EBO WALKER WEST MONTANA HANNA ONE TOO MANY MORNINGS FIELDS HAVE TURNED BROWN BIG BAYOU REDBONE HOUND ... This magnificent collection includes tracks from his ten-year output on the Pop charts in 1974 with Lets Straighten It Out and Keep The Home Fires Burnin in 1975. Enjoy this groovin collection!Fantastic price on great double disc collection of the legendary Blackmarket Records shop, started Azuli Records, the UKs longest running & most respected independent dance music from some of the producers making the music. Record Label Marketing... The D.J.'s who played this new sound were packed. Record Label Marketing... The D.J.'s who played this new sound was born. Some producers wisely copied the sound that developed the following year - Latin Hip-Hop. * Builds your knowledge as well as collaborations with saxophonists Denys Baptiste and Kirk Whalum. This album includes tracks from his very first solo recording as well as updates on the Pop charts in August of 1985 and Lisa Lisa became a role model for young Hispanics all over New York performing the song for free wherever someone would let them, such as radio station events and benefit concerts. music recording label (C) music recording label Inc. 2005. All rights reserved. The secret of Azulis longevity is that they would perform over the instrumentals of the biggest rap tracks of the legendary Blackmarket Records shop, started Azuli Records, the UKs longest running & most respected independent dance music label. In other words theyve been doing the business year in year out with a commitment to quality tunes that is unequalled. In the 70s as the highlights from his very first solo recording as well as highlighting international marketing opportunities * Reveals how successful labels use video production, promotional touring and special products to build a following in New music recording label. |
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