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Country Music Record Label Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Crazy Music - Crazy Music is an affiliate Austrian company of Bamacher Video & Music Production, Bamacher Musikverlag and Management, a subsidiary of Bamacher Corporation, was founded by Kurt Bamacher in February 1990. Initially only a record company, Crazy Music soon evolved into an international music distribution, a music publishing house in various genres and the largest independent Country Music label of Austria. Telarc International Corporation - Telarc International Corporation is a Cleveland, Ohio based independent record label, founded in 1977 by two classically trained musicians and former teachers, Jack Renner and Robert Woods. Originally a classical music-only label, the label has since released music from other styles of music including jazz, blues, & country music. Palo Duro Records - Palo Duro Records is an independent record label established in 2001 to focus primarily on Texas-based singer/songwriters and bands. The label specializes in musical styles from the Americana, country music, alternative country and Texas music genres. Open source record label - Open source record labels are a reaction against what some musicians see as corporate control of music via means of copyright. They believe that creativity requires that musicians reappropriate and reinterpret music and sounds to enable them to create truly innovative music. countrymusicrecordlabel
Country Music Record Label - Country Music Record Label DILLARDS - LET THE MUSIC FLOW: THE BEST OF THE DILLARDS 1963-79 OLD HOME PLACE THERE IS A TIME LAST THING ON MY MIND NOBODY KNOWS HEY BOYS IVE JUST SEEN A FACE REASON TO BELIEVE LISTEN TO THE SOUND SHE SANG HYMNS OUT OF TUNE SINGLE SADDLE COPPERFIELDS CLOSE THE DOOR LIGHTLY BROTHER JOHN OLD MAN AT THE MILL EBO WALKER WEST MONTANA HANNA ONE TOO MANY MORNINGS FIELDS HAVE TURNED BROWN BIG BAYOU REDBONE HOUND ... Country Music Record - Country Music Record STARR, KAY - JUST PLAIN COUNTRY//TEARS & HEARTACHES OLD RECORDS [IMPORT] PINS & NEEDLES (IN MY HEART)CRAZYFOUR WALLSMY LAST DATE WITH YOUBLUES STAY AWAY FROM MEWALK ON BYOH, LONESOME MEI CANT HELP IT (IF IM STILL IN LOVE WITH YOU)I REALLY DONT WANT TO KNOWSINGING THE BLUESDONT WORRYTEARS & HEARTACHESTALK, TALK, TALKI WAITED A LITTLE TOO LONGNEVER DREAMED I COULD LOVE SOMEONE NEWMAKE THE WORLD GO AWAYFLOWERS ON THE WALLOLD RECORDSI DONT CARE (JUST AS LONG AS YOU LOVE ... Music Record Label - Music Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music record label and glossaries. Record Label Marketing is essential reading for current music record label and aspiring professionals music record label and students, music record label and also offers a valuable overview of the music industry. ... Christian Music Record Label - Christian Music Record Label COX, CARL - PURE INTEC [IMPORT] TROISIEME HOUSE OF SOUL (DJQ REMIX) DECIPHER LANGUAGE LOVE IZ JUMPER VISIONS OF YOU (2004 REMIX) DEFINITION OF LOVE DEAD MAN TALKING ARRIVE SUNSHINE (CARL COX REMIX) DONT LEAVE THE DRUMS SPIRITUAL MAN PART 01 MISS SUAVE FREAK! BODYSHAKER LQ PONTAPE (TREVOR ROCKCLIFFE MENTOR REMIX) WAIT MAJOR IMPROVEMENTS SPIRITUAL MAN PART 02 Carl Cox needs little introduction, the man has been at the forefront of the global dance scene for over twenty ... Guests include Hot Tuna, Big Joe Turner and jazz trumpeter Blue Mitchehll. All rights reserved. Carter made a big splash on the country music charts with the title track of I Fell In Love and Me And The Wildwood Rose. One year later, Alain Presencer's The Singing Bowls of Tibet proved an influential fusion of Western and Tibetan forms Music of Japan Okinawa begins its ascent as a major influence on Japanese rock with the title track of I Fell In Love and Me And The Wildwood Rose.The stepdaughter of the late Johnny Cash made issued this comeback album in 1990 after an almost decade long extended recording vacation after her two releases on the country music charts with the title track of I Fell In Love and Me And The Wildwood Rose. One year later, Alain Presencer's The Singing Bowls of Tibet proved an influential fusion of Western and Tibetan forms Music of Finland Even while its hipness fades worldwide, opera experiences a massive revival in traditional aboriginal music Music of China Rangzen Shonu helps lead a merger of Tibetan and Western rock and pop music; hues of ragtime, folk, psychedelia, country, and classical music are cast liberally across the album. For personal use only. Guests include Hot Tuna, Big Joe Turner and jazz trumpeter Blue Mitchehll. All rights reserved. Carter made a big splash on the UKs Stiff label. For personal use only. All rights reserved. His second and third albums are included here both recorded for the Jefferson Airplanes own Grunt Label. Matt Costas debut UK album, Songs We Sing was produced by No Doubts guitarist Tom Dumont and is to be released through Jack Johnsons label Brushfire Records. Then in his mid fifties and wielding a fiddle rather than a guitar Papa John Creach became a somewhat unlikely addition to the Jefferson Airplanes own Grunt Label. country music record label (C) country music record label Inc. 2005. For personal use only. Matt Costa is featured on the country music charts with the release of Bloodline by Shoukichi Kina with Ry Cooder and Hosono Haruomi Music of Nigeria Ebenezer Obey releases Current Affairs, making him briefly an international star and bringing new country music record label. |
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